Wednesday, February 16, 2011

Mugler's Ride

Fashion is and likely will always be slightly schizophrenic. While the designers, press and viewing public clamor endlessly for the NEXT BIG THING, pushing outfit after outfit onto the catwalk season after season in an attempt to impress, wow and shock their way into the hearts of fashionistas the world over, they typically are also the first to reaffirm what worked before. Few seem able to strike the right balance, either tipping over the side and plummeting into the Westwoods, where refuse and table wear are acceptable accessories, or barely leaving their production couch while half heartily pumping out a line that would be more at home in the aisles of Eddie Bauer than the walks of Milan, London or Paris.

This Mugler Spring Line is of course one that many have been keeping an eye on. Released a month ago, it was the first presentation by new Mugler head honcho Nicola Formichetti, a man who could be said to have been the puppet master behind the last three years in fashion, working with Vogue, Dazed and Confused, and as a collaborator with the ever vivid Lady Gaga.

He did not disappoint.

Blending classic men's suits with a science-fiction-if-not-video-gaming splash, Nicola has put together a collection that screams future-modernism, and oddly may be the most accessible collection out there.

It can be split into three camps:

The first is the Wearable. These are the pants, jackets, tops and boots that have and will become apart of the new wardrobe for stylish lads everywhere.

I come for the puttee, but stay for the trench coat

A fine sweater indeed

Second are the odd but "salvageable" Not to say that they need to be salvaged, but in these outfits lay some choice articles of clothing. But the third is the realm of video games and Hollywood sci-fi, a flowing landscape of shiny plastics and end-bosses.

Retro futurism, horror spectacle, that dude from The Cell who tormented Jennifer Lopez, cellophane zombies and what I can only describe as Cat Walk Vader. This show was all over the place, launching itself full force into bizarre genre after genre. Yet despite this, it is stunning to watch for it's bold geekiness (intended or not).


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